遥远星际:和平使者之战
故事梗概:  乔·克雷顿是一名来自地球的宇航员,在一次执行任务的时候遇上虫洞开启,遂被虫洞吸走。乔被吐出后,他已经置身于另一个遥远的星系。在那里,他结识了一班好朋友,还有爱侣——维和者爱伦。时逢刀疤族企图统治宇宙,他们与“宇宙警察”维和者激战正酣。谣传克雷顿能造出具有毁灭性力量的“虫武器”,所以双方人马都想抓到克雷顿造出武器。克雷顿深知这种武器的杀伤力之大,也明白这两边都不是正义之师,他不想被人利用,于是东躲西藏疲于奔命。  克雷顿带着爱伦躲到了人迹罕至的圣水星上,在得知爱伦怀孕之后,两人准备结婚。不料被当地的埃多兰后裔袭击,身体变成了晶体碎片。他们的好友迪戈和来高等人尽力找齐了碎片,在埃多兰人的帮助下他们的身体得以复原,可是爱伦腹中的胎儿却不翼而飞。原来,来高把碎片从水中衔出来的时候,胎儿变成的碎片留在了他的胃里。于是众人一边筹备婚礼,一边打算等孩子再大些时把他传回母亲体内。结婚当日,维和者指挥官黑蝎子的到来扰乱了整场婚礼。混乱中,诺兰蒂发现身边有人是埃多兰人的后裔,并指出如果他们找到祖先,便可能发挥和平使者的天赋,停止战争。  众人历经艰险终于来到了埃多兰城的遗址阿涅斯,却不料刀疤族人也随后赶到,刀疤族人炸毁了阿涅斯,俘虏了克雷顿一行。刀疤族国王用来高的生命威胁克雷顿,逼他交出虫洞的制作方法。无奈之下,克雷顿只能带他去找先知爱因斯坦,表明自己对这项技术真的一无所知。刀疤族国王斯坦利十分失望,还好在埃格兰人的长老奥德兰的劝说下,他的情绪慢慢稳定,并有意与维和者和解。但刀疤族的王后的阴谋却使即将到来的和平毁于一旦,大战愈演愈烈。  在战乱中,爱伦产下一子,这让大家看到了生命的希望。黑洞在瞬间毁灭,刀疤族和维和者终于停止了战争。  精彩视点:  科幻电影奇才布莱恩·汉森倾力打造银河系“世界大战”,《星际虫洞大战》耗资过亿万美金,媲美电影史上场面最壮观的星战巨作《星球大战》。《星际虫洞大战》融合了大量的电脑特技,凝聚“星战”经典情节,绝无冷场。影片制作者把《星际虫洞大战》的技术起点定得很高,为了取得身临其境的效果,他们往往为了获得一个最佳镜头而准备数十个镜头。正是凭着这种专业精神,本片一举荣获第三十一届科幻、幻想、恐怖电影学会土星奖最佳表演奖、最佳男主角、最佳女主角以及澳洲最具影响力的视效动画节的大奖。  2007年 5月5日 14:56 CCTV-6播出
那个人在想什么事情
The main character is Dr. Max Holst, a successful neurosurgeon. One day an intense little man named Steinmetz shows up, who has the real ability to create objects out of thin air, using only his mind. As no one believes him at first, he is held at a ward for mental patients, but manifests the key to his door and escapes. As he has a special interest in Dr. Holst, Steinmetz subsequently invites Holst to his large mansion, which is full of expensive paintings and sculptures, and proves to him that he can in fact materialise objects. Steinmetz’s abilities are evolving by leaps and bounds, and is progressing from being able to create objects only to being able to create living things. His ultimate ambition is to be able to create a human being. He tells Dr. Holst that if he will only perform a certain brain operation on him, Steinmetz will become able to attain his goal. He’s got all the necessary equipment set up in his basement. Dr. Holst, however, is too spooked by the whole thing to agree to this mad scheme, and refuses. Steinmetz then sets about manipulating Holst’s life, to pressure him into performing the operation. By then Steinmetz has become able to create a temporary human being, and in the hope that he can perhaps make his own creation perform the operation, he manifests a doppelganger of Dr. Holst. This double proceeds to take over Dr. Holst’s life, creating chaos for him professionally and personally. And then Dr. Holst starts fighting back. The ending has the dual virtue of being both unexpected and satisfying.
逃离猩球
好莱坞早在1968年就拍摄了这一取材于法国作家皮埃尔.鲍李(Pierre Boulle)的著名同名科幻小说的电影,在当时,影片以其构思奇特的情节、精妙真的化装技术以及令人出乎意料甚至颇感震撼的结局而大受欢迎,也催生了其后的四部续集和两部电视剧集的诞生。  影片要素:  两千年后的地球,上校乔治.泰勒(Colonel George Taylor),和他的战友们,以佐斯博士(Dr. Zauis)为首的残暴的星球统治者,善良的同情人类的猿族夫妇兹瑞和考尼斯(Zira and Cornelius)和他们的儿子凯撒(Caesar),猿族,人类  影片资料:  《人猿星球》(Planet of the Apes) 1968年 乔治的飞船误入两千年后的地球并失事,在善良的猿族夫妇兹瑞和考尼斯的帮助下,他逃出了猿族的监牢,但猿族首领佐斯博士并没打算放过他...  《失陷猩球》(Beneath the Planet of the Apes) 1970年 前来搜寻乔治的飞船再次失事在星球上,新加入的战友和乔治联手去阻止猿族对人类的杀戮。  《逃离猩球》(Escape from the Planet of the Apes) 1971年 帮助人类的猿族夫妇兹瑞和考尼斯这回自身难保,他们的飞船坠毁在1973年的地球,人类发现了未来猿族将要统治人类,瑞兹肚里的小猿孩能存活吗?人们将怎么对待他们这对会说话的猿族?  《猩球征服》(Conquest of the Planet of the Apes) 1972年 上集中猿族夫妇最终没能逃脱人类毒手,但他们的孩子凯撒却在善良的马戏团主里卡多(Ricardo Montalban)的保护下长大了,1983年,来自外太空的病毒使猫狗灭绝了,人类开始以会说话的猩猩作为宠物,但他们的遭遇却比猫狗惨得多,1991年,在凯撒的领导下,日益聪明的猿族,即猩猩(Orangutans)、黑猩猩(Chimps)和大猩猩们(Gorillas)联合起来反抗了,人类能镇压这场猿族的革命吗?  《决战猩球》(Battle for the Planet of the Apes) 1973年 2678年,猿族教授在讲述凯撒当年的故事,那是在2015年,猿族中发生叛乱,大猩猩们在将军艾多(General Aldo)的带领下和一群发生变异的人类一同意图推翻凯撒的领导,决战开始了...
造物的奇迹
Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001 A Space Odyssey.  In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.  The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.
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